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	<title>Georges Salameh</title>
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		<title>l&#8217;exode</title>
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		<category><![CDATA[greece]]></category>
		<category><![CDATA[athens]]></category>
		<category><![CDATA[athènes]]></category>
		<category><![CDATA[grèce]]></category>
		<category><![CDATA[atene]]></category>
		<category><![CDATA[grecia]]></category>
		<category><![CDATA[Theo Angelopoulos]]></category>
		<category><![CDATA[photographie]]></category>
		<category><![CDATA[cinema]]></category>
		<category><![CDATA[sortie]]></category>
		<category><![CDATA[exit]]></category>
		<category><![CDATA[έξοδος]]></category>
		<category><![CDATA[Θόδωρος Αγγελόπουλος]]></category>
		<category><![CDATA[exodus]]></category>
		<category><![CDATA[l'exode]]></category>

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		<description><![CDATA[De la série photographique “l’attente, l’oubli” – “awaiting, oblivion” (1997-…), inspiré par le récit “l’attente, l’oubli” de Maurice Blanchot (1907-2003): le perpétuel va et vient de l&#8217;attente: son arrêt. L&#8217;immobilité de l&#8217;attente, plus mouvante que tout mouvant. The perpetual coming and going of waiting: its cessation. The motionessless of waiting, moving more than any movement. l&#8217;exode  - exodus - έξοδος [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=georgessalameh.wordpress.com&amp;blog=7892442&amp;post=6709&amp;subd=georgessalameh&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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